Reggae developed from rockstaedy music in the 1960s. The shift from rocksteady to reggae was illustrated by the organ shuffle, which was pioneered by Bunny Lee and was featured in the transitional singles "Say What You're Saying" (1967) by Clancy Eccles, and "People Funny Boy" (1968) by Lee "Scratch" Perry. The Pioneers' 1967 track "Long Shot Bus' Me Bet" has been identified as the earliest recorded example of the new rhythm sound that became known as reggae.
Early 1968 was when the first genuine reggae records were released: "Nanny Goat" by Larry Marshall and "No More Heartaches" by The Beltones. American artist Johnny Nash's 1968 hit "Hold Me Tight" has been credited with first putting reggae in the American listener charts. Around that time, reggae influences were starting to surface in rock music. An example of a rock song featuring reggae rhythm is 1968's "Ob-La-Di , Ob-La-Da." by The Beatles.
The Wailers, a band started by Bob Marley, Peter Tosh and Bunny Wailer in 1963, are perhaps the most recognised band that made the transition through all three stages of early Jamaican popular music: ska, rocksteady and reggae. Other significant reggae pioneers include Prince Buster, Desmond Dekker and Jackie Mittoo.
Notable Jamaican producers who were influential in the development of ska into rocksteady and reggae include: Coxsone Dodd, Le "Scratch" Perry, Leslie Kong, Duke Reid, Joe Gobbs and King Tubby. Chris Blackwell, who founded Island Records in Jamaica in 1960, relocated to England in 1962, where he continued to promote Jamaican music. He formed a partnership with Trojan Records, founded by Lee Gopthal in 1968. Trojan released recordings by reggae artists in the UK until 1974, when Saga bought the label.
The 1972 film The Harder They Come, starring Jimmy Cliff, generated considerable interest and popularity for reggae in the United States, and Eric Clapton's 1974 cover of the Bob Marley song "I shot the sheriff" helped bring reggae into the mainstream. By the mid 1970s, reggae was getting radio play in the UK on John Peels's radio show, and Peel continued to play reggae on his show throughout his career. What is called the "Golden Age of Reggae" corresponds roughly to the heyday of roots reggae.
Reggae is either played in 4/4 time or swing time, because the symmetrical rhythmic pattern does not lend itself to other time signatures such as 3/4 time. Harmonically, the music is often very simple, and sometimes a whole song will have no more than one or two chords. These simple repetitive chord structures add to reggae's sometimes hypnotic effects.
Gregory, born in Kingston, Jamaica, on July 15, 1951, loved listening to American R&B singers such as Sam Cooke and Smokey Robinson on the radio as a child and began making a name for himself as a teenager in the 1960s, performing at talent contests and with other vocalists before going solo in 1970.
After a string of self-released albums and singles on his own African Museum label, he finally hit pay dirt with 1973's "My Only Lover," widely considered the first lover's rock tune. Like so many of his hits, it showcased his sensual, smooth tenor and kicked off a decade-plus run of chart-toppers that peaked in 1982 with the seductive "Night Nurse," recorded at Marley's Tuff Gong studios. In addition to his entrancing high and longing vocals, Isaacs used urgent moans and groans as the signature punctuation on some of his most beloved songs.
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